THE BOLLYWOOD STOCK CHARACTERS
First, the Story Line
The story line
for a movie has to be in just a few sentences as everyone in the industry is
busy churning out mind-numbing intelligence-sapping illogical trash. Even a
synopsis is too long and an essay is just out of question.
Which reminds
me, during my schooldays, the teachers imbibed us with a worldly-wise way of
writing essays (which was every week of the school year) – an essay should be
about a third of the given text. We, the budding writers, thought we were smart
– we took every third word from the given text and made the essay hoping that
the teacher would not have the time in the world to go through 40 essays over
the weekend. Come on, they have got to have a life or something. But, we were
so wrong. A third of us failed every week and had to go through the ignominy of
‘detention’ on a Monday during which we had to ‘rewrite’ the essay in a
meaningful manner – what a way to start the week!
Back to
Bollywood, yes, the storyline once approved will be discussed by the five major
investors – the Director, the Producer, the Hero, the Heroine and the Villain.
Much of the time, the latter two serve the purpose of serving chai (tea) and
pakoras (eg. onion fritters).
The Stock Characters
Bollywood
thrives on formulae just as physics or chemistry or mathematics, the only
difference being that Bollywood does not have many formulae, as a matter of
fact, they have just a handful! So, a formula is chosen and this contains the
list of characters required. It is a different matter that the chosen formula
may not match the story line and a lot of weaving and waffling is done along
the way. Having a Hero and a Heroine and a Villain is a must. Just so that the
Hero does not feel lonely, a dumb-shit pal is given him. Ditto with the
Heroine, whereas the Villain gets a joker – now these dumb-shit pals and the
joker are not born that way, during childhood, they are actually the smart guys
who teach the lead characters all about life and as they grow into adulthood,
the lead characters become smart and the pals end up being dumb-shits or a
joker.
A Chacha or a
Kaka is a must; they are the bad guys turned good for obtaining karma and use a
lot of glycerine to the viewers’ chagrin. The Villain has to have some
competition or at least a fifth columnist and this is filled out by the Mama,
who is based on the Mahabharata character Shakuni, no options please. This lot
are obviously the supporting characters whose names appear after the movie is
over and everybody is running out of the hall.
Then comes a
long list of fillers like Malis (gardeners), naukars (servants), drivers,
darwaans, etc., who do not even figure in the titles. These fillers are the
polity, they gossip, they vote, they support or they denigrate the lead
characters.
As if this many
characters were not enough, a few Guest Stars are sprinkled throughout the
movie like in-film ads, under the mistaken impression that they would pull the
crowds in. (I really miss those emoticons, but woe, cannot use them in good
writing!!!)
The List
This gives a gist of the list of stock characters and gets extended or shortened by the generosity of the financiers who hole the purse strings. The lead characters dance to the tune of the financiers more than the musicians or the composer, but then, that is another story called the Underworld.
The Creators
Story writers
are a breed apart, they do not need any special skills other than one – that of
writing in any one of the 22 Indian languages. And where do they find these
characters? According to the story writers, these characters are chosen from
everyday life or history or mythology or, if they are too lazy, they just get
inspired from Hollywood.
Among this
breed, those that come out of a place called Malegaon (a provincial town in the
State of Maharashtra) are iconic. More on them later.
Long live the
Stock Characters.
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